{"id":2251,"date":"2026-08-18T13:17:48","date_gmt":"2026-08-18T11:17:48","guid":{"rendered":"https:\/\/demirhanocak.com\/site26\/2026\/08\/18\/acinin-rengi-var-mi-mavi-mi-kirmizi-mi-gri-mi\/"},"modified":"2026-08-18T13:17:48","modified_gmt":"2026-08-18T11:17:48","slug":"acinin-rengi-var-mi-mavi-mi-kirmizi-mi-gri-mi","status":"publish","type":"post","link":"https:\/\/demirhanocak.com\/site26\/2026\/08\/18\/acinin-rengi-var-mi-mavi-mi-kirmizi-mi-gri-mi\/","title":{"rendered":"Ac\u0131n\u0131n Rengi Var m\u0131? Mavi mi, K\u0131rm\u0131z\u0131 m\u0131, Gri mi?"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/images.pexels.com\/photos\/30064942\/pexels-photo-30064942.jpeg?auto=compress&#038;cs=tinysrgb&#038;fit=crop&#038;h=627&#038;w=1200\" style=\"width:100%;height:auto;\"><\/p>\n<p>Sana bir \u015fey soraca\u011f\u0131m ve istiyorum ki ger\u00e7ekten d\u00fc\u015f\u00fcn: <strong>Ac\u0131n hangi renk?<\/strong> Hemen &#8220;mavi&#8221; deme. O \u00e7ok kolay. O \u00e7ok sinema. O \u00e7ok &#8220;bug\u00fcn \u00fczg\u00fcn\u00fcm, Instagram&#8217;a mavi bir \u015fey koyuyorum.&#8221; Ben sana senin ac\u0131n\u0131 soruyorum \u2014 o a\u011f\u0131r, bast\u0131ran, sabah kalkarken boynunda hissedilen t\u00fcrden.<\/p>\n<p>K\u0131rk y\u0131ld\u0131r y\u00fcz \u00e7iziyorum. Portreler. \u0130nsanlar gelir, oturur, bazen g\u00fcl\u00fcmser, bazen bakar sadece. Ben de bakar\u0131m. Ama \u015funu fark ettim zamanla: <strong>Y\u00fczleri \u00e7izmeden \u00f6nce renklerini g\u00f6r\u00fcyorum.<\/strong> Ac\u0131l\u0131 bir y\u00fcz gri de\u011fildir. Sar\u0131ms\u0131d\u0131r bazen. Hatta turuncu. Ya da o koyu, i\u00e7e kapanan bordo \u2014 kadifenin tersine dokunmu\u015f gibi. Renk duygudan \u00f6nce gelir. Duygu renkten sonra ad\u0131n\u0131 bulur.<\/p>\n<p>Ve burada i\u015fler kar\u0131\u015fmaya ba\u015fl\u0131yor.<\/p>\n<p>Bat\u0131 sanat tarihine bak: Mavi, h\u00fczn\u00fcn rengi kabul edilmi\u015f. &#8220;Feeling blue&#8221; denir \u0130ngilizce&#8217;de. Picasso&#8217;nun Mavi D\u00f6nemi var \u2014 1901-1904 aras\u0131, arkada\u015f\u0131n\u0131n intihar\u0131ndan sonra. Ger\u00e7ekten mavi tablolar, ger\u00e7ekten mavi bir d\u00f6nem. (Peki o d\u00f6nemin sonu ne oldu? Picasso a\u015f\u0131k oldu ve pembeye ge\u00e7ti. Bu bilgi bedava.) Ama <strong>mavi her k\u00fclt\u00fcrde h\u00fcz\u00fcn de\u011fildir.<\/strong> Baz\u0131 k\u00fclt\u00fcrlerde mavi koruyucudur, nazardan korur. Baz\u0131lar\u0131nda kutsal g\u00f6\u011f\u00fcn rengidir. Ayn\u0131 renk, farkl\u0131 y\u00fckleri ta\u015f\u0131r.<\/p>\n<p>Peki kim karar verdi ac\u0131n\u0131n mavi oldu\u011funa?<\/p>\n<p>Kandinsky 1911&#8217;de &#8220;Sanatta Ruhsall\u0131k \u00dczerine&#8221; adl\u0131 o me\u015fhur kitab\u0131n\u0131 yazd\u0131\u011f\u0131nda renklerin seslerden ve duygulardan olu\u015fan bir sistem oldu\u011funu savundu. Sar\u0131 agresifti, mavi sakinle\u015ftirici ve i\u00e7e \u00e7ekici, k\u0131rm\u0131z\u0131 g\u00fc\u00e7l\u00fc ve heyecan verici. G\u00fczeldi, tutarl\u0131yd\u0131, sistematikti. Ve tabii ki <strong>k\u0131smen yanl\u0131\u015ft\u0131.<\/strong> \u00c7\u00fcnk\u00fc insan duygular\u0131 sistematik de\u011fil. Sen k\u0131rm\u0131z\u0131 g\u00f6r\u00fcnce \u00f6fke de hissedebilirsin, tutku da, utan\u00e7 da, bayram da. K\u0131rm\u0131z\u0131, neyin i\u00e7inden ge\u00e7ti\u011fine g\u00f6re \u015fekil al\u0131r.<\/p>\n<p>Ben portre \u00e7izerken \u015funu yapar\u0131m: K\u00e2\u011f\u0131d\u0131 b\u0131rak\u0131r\u0131m bir s\u00fcre. \u00d6nce bakar\u0131m. Sadece bakar\u0131m. O insan\u0131n ta\u015f\u0131d\u0131\u011f\u0131 \u015feyi, o anki a\u011f\u0131rl\u0131\u011f\u0131n\u0131, neresinden tutundu\u011funu anlamaya \u00e7al\u0131\u015f\u0131r\u0131m. Ve sonra i\u00e7imde bir renk belirir. Bu renk her zaman &#8220;do\u011fru&#8221; renk de\u011fildir \u2014 yani o insan\u0131n ten rengini ya da sa\u00e7\u0131n\u0131n rengini kastetmiyorum. <strong>O insan\u0131n o andaki i\u00e7 rengini kastediyorum.<\/strong> \u00c7izim ba\u015flamadan \u00f6nce o rengi hissediyorum ve kalem o renge g\u00f6re tutuluyor elime. Bunu a\u00e7\u0131klamak zor. Ama kalemim de\u011fi\u015fmedi k\u0131rk y\u0131lda \u2014 el de\u011fi\u015fmedi. Alet de\u011fi\u015fti, marka de\u011fi\u015fti, k\u00e2\u011f\u0131t de\u011fi\u015fti. El ayn\u0131 el. Ve o el \u00f6\u011frendi bir \u015feyi: Renk, g\u00f6zden \u00f6nce i\u00e7eriden geliyor.<\/p>\n<p>\u015eimdi \u015funu d\u00fc\u015f\u00fcn:<\/p>\n<ul>\n<li><strong>Kahverengi:<\/strong> \u00c7o\u011fu sanat teorisyeni bunu &#8220;n\u00f6tr&#8221; sayar. Ama ben kahverenginin ac\u0131s\u0131n\u0131 bilirim. O yorgun, bitik, bir daha kald\u0131ramayaca\u011f\u0131m t\u00fcrden ac\u0131 kahverengidir. Topra\u011fa yak\u0131n, a\u011f\u0131r.<\/li>\n<li><strong>Sar\u0131:<\/strong> Ne\u015fenin rengi denilir. Ama Van Gogh&#8217;un sar\u0131s\u0131na bak. O sar\u0131lar titriyor. \u00c7\u0131\u011fl\u0131k at\u0131yor neredeyse. En yaln\u0131z sar\u0131lar Van Gogh&#8217;un sar\u0131lar\u0131d\u0131r.<\/li>\n<li><strong>Beyaz:<\/strong> Bo\u015fluk, temizlik, ba\u015flang\u0131\u00e7. Ya da Emily Dickinson&#8217;\u0131n \u00f6mr\u00fcn\u00fcn son y\u0131llar\u0131nda giydi\u011fi \u015fey. Beyaz \u00e7ok masum duruyor ama i\u00e7i bazen kapkara.<\/li>\n<li><strong>Gri:<\/strong> &#8220;Ac\u0131 gridir&#8221; denir en \u00e7ok. Evet, do\u011fru. Ama gri ayn\u0131 zamanda bilgeliktir. Ya\u015flanm\u0131\u015f sa\u00e7lard\u0131r. Ya\u011fmurdan sonra g\u00f6ky\u00fcz\u00fcd\u00fcr. Griyi tamamen ac\u0131ya vermek istemiyorum \u2014 haks\u0131zl\u0131k bu griye.<\/li>\n<li><strong>Turuncu:<\/strong> Kimse turuncuyu ac\u0131yla anmaz. Ama ben an\u0131yorum. \u00c7\u00fcnk\u00fc turuncu tam da o ge\u00e7i\u015f halidir \u2014 ne gece ne g\u00fcnd\u00fcz, ne a\u011flamak ne g\u00fclmek. \u00c7o\u011fu insan o turuncuyu ta\u015f\u0131yor \u00fczerinde fark etmeden.<\/li>\n<\/ul>\n<p>Frida Kahlo&#8217;ya d\u00f6nelim biraz. Frida ac\u0131y\u0131 renkte de\u011fil, <strong>nesne ve bedende<\/strong> ifade etti. K\u0131r\u0131k omurgalar, geyik bedeni, kesik sa\u00e7lar. Renk onun tablolar\u0131nda canl\u0131yd\u0131 \u2014 o Meksika toprak renkleri, o k\u0131rm\u0131z\u0131lar. Ac\u0131y\u0131 soluk renkle anlatmay\u0131 reddetti sanki. &#8220;Ben ac\u0131 i\u00e7indeyim ama solmuyorum&#8221; dedi tuvaline. Bu da bir felsefe. Belki ac\u0131n\u0131n rengi, ki\u015finin ac\u0131ya verdi\u011fi tepkinin rengidir. Ac\u0131n\u0131n kendisinin de\u011fil.<\/p>\n<p>Bir de \u015funu s\u00f6yleyeyim, biraz rahats\u0131z edici olacak ama s\u00f6yleyeyim: <strong>Ac\u0131y\u0131 renksiz b\u0131rakmak da bir tercih.<\/strong> Baz\u0131 sanat\u00e7\u0131lar ac\u0131y\u0131 kas\u0131tl\u0131 olarak bo\u015flukta b\u0131rak\u0131r. Yani renksiz, tamamlanmam\u0131\u015f, yar\u0131m. \u00c7\u00fcnk\u00fc ac\u0131 bazen tamamlanamaz. Yas tutulmaz, i\u015flenmez, renge d\u00f6n\u00fc\u015fmez \u2014 \u00f6ylece orada durur, yar\u0131m bir \u00e7izgi gibi. Ve o yar\u0131m \u00e7izgi bazen tamamlanm\u0131\u015f bir tablodan daha d\u00fcr\u00fcstt\u00fcr.<\/p>\n<p>K\u0131rk y\u0131lda \u00f6\u011frendim ki <strong>portre \u00e7izmek bir renk se\u00e7imi de\u011fil, bir karar meselesidir.<\/strong> O insan\u0131n ac\u0131s\u0131n\u0131 g\u00f6rmek mi istiyorsun, g\u00fcc\u00fcn\u00fc m\u00fc, ikisini birden mi? Ve neyi g\u00f6stermek istedi\u011fin kadar, neyi saklamak istedi\u011fin de o portreye siner. Ressam se\u00e7er. Ama se\u00e7imi yaparken de o kalemin ucundaki a\u011f\u0131rl\u0131\u011f\u0131 \u2014 empatiyi \u2014 hisseder. Hissetmezse, \u00e7izgi \u00e7izmi\u015f olur sadece. Portre de\u011fil.<\/p>\n<p>Ac\u0131n\u0131n rengi yok asl\u0131nda. Ya da her rengi var. Ya da sen hangi renge bak\u0131yorsan, ac\u0131n oraya siner. Bu cevap seni tatmin etmedi, biliyorum. Ama bak \u2014 tatmin edici cevaplar genellikle yanl\u0131\u015f sorulara veriliyor. Do\u011fru soru zaten seni biraz rahats\u0131z b\u0131rak\u0131r. Ve sen o rahats\u0131zl\u0131kla biraz oturursun. Ve oturunca, belki kendi ac\u0131n\u0131n rengini kendin ke\u015ffedersin.<\/p>\n<p>Ben ke\u015ffedersem s\u00f6ylerim. (\u015eu an benim ac\u0131m koyu sar\u0131 bir \u015fey \u2014 ama \u00fczerinde d\u00fc\u015f\u00fcn\u00fcyorum.)<\/p>\n<p>Hadi bakay\u0131m, \u015fimdi usulca da\u011f\u0131l\u0131n ve m\u00fcmk\u00fcnse m\u0131sm\u0131l olun.<br \/><strong>Demirhan.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sana bir \u015fey soraca\u011f\u0131m ve istiyorum ki ger\u00e7ekten d\u00fc\u015f\u00fcn: Ac\u0131n hangi renk? Hemen &#8220;mavi&#8221; deme. O \u00e7ok kolay. O \u00e7ok sinema. O \u00e7ok &#8220;bug\u00fcn \u00fczg\u00fcn\u00fcm, Instagram&#8217;a mavi bir \u015fey koyuyorum.&#8221; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-2251","post","type-post","status-publish","format-standard","hentry","category-sanat"],"_links":{"self":[{"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/posts\/2251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/comments?post=2251"}],"version-history":[{"count":0,"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/posts\/2251\/revisions"}],"wp:attachment":[{"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/media?parent=2251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/categories?post=2251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/demirhanocak.com\/site26\/wp-json\/wp\/v2\/tags?post=2251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}